Showing posts with label Kenpo. Show all posts
Showing posts with label Kenpo. Show all posts

Tuesday, January 26, 2021

Animal Techniques Part 3

 The Crane represents grace, balance and breathing. The Crane prefers to work at a distance from the opponent and at angle off-line from his attacks. This can involve using long range striking to keep an attacker away, short range strikes like knees and elbows to drive an attacker back, or creating space while grappling in order to set up a reversal or counter attack. Effective use of Crane requires the development of balance.  With a calm and quiet nature, its movements are soft, relaxed and circular. However, they are explosive and can be used in close or at a distance. The Crane has excellent balance and is very good at disturbing the balance of others. The Crane is very aware and evasive. Many underestimate the Crane's power. It doesn't have much body weight, but it utilizes it very well and it positions itself effectively. The Crane has excellent stances, but its understanding of being in the proper position at the proper time is probably its most valuable resource.

Sunday, June 09, 2019

What is Self-Defense: Kenpo Jiu-Jitsu by James Mitose

This classic is back in print. My copy was printed in the early 1980s. The original was printed back in 1953. Most of the Keno/Kempo taught in the United States traces directly back to James Mitose, and the most famous of his students, William Chow.

Saturday, March 10, 2012

Good interviews for Kempo people

I've been listening some of the Martial Arts Lineage Project podcasts and there are two with Kempo instructors.

The first was with Senior Grandmaster George Pesare, the man who brought Kempo to the East Coast.  Grandmaster Pesare was Nick Cerio's Kempo instructor and the first person to promote Cerio to Black Belt. A lot of good "no shit, I was there" history in this interview.

The second was with Shihan John James. Shihan James was a personal student of the late Grandmaster Nick Cerio and was one of the people selected by Cerio to be on the Board of Directors of Cerio's Kenpo after Cerio's death in 1998.  I exchanged several emails with Shihan James around that time.  He was always polite and very much a gentleman of the old school.  That came across in this interview.

I recommend listening to them both.

Sunday, July 03, 2011

MetroWest Martial Arts & Wellness Reopening!

MetroWest Martial Arts and Wellness has been closed down for several months as it moves to a much better location.

That move is almost complete! There was a delay while the local building inspectors did their work, but construction is now underway and the school will be reopening soon!


I, for one, am looking forward to getting back to teaching and studying with the other instructors at MetroWest Martial Arts.

For more details, check out the MetroWest Martial Arts Facebook page.

Saturday, July 10, 2010

Traditional martial arts weapons

I was giving the topic of traditional martial arts weapons some pondering, and I decided that a traditional Kempo weapon would be the machete. Your basic, traditional sugar cane cutting tool.

Monday, January 26, 2009

Customizing Kempo

One of the basic principles of teaching Kempo is that Kempo changes to fit the student.

This doesn't mean you don't have to learn the basics. It means that as an instructor, you should modify techniques you teach to fit the student.

A petite female who weighs 110 pounds soaking wet is going to have a different fighting style than a 200 pound man a foot or more taller.

There are differences beyond the obvious size and weight difference. They have a very different center of balance. The man will generally have much more upper body strength. Then there is overall social conditioning that the different genders gets.

You want to successfully teach women and young girls in your school, you will need to understand these differences and be able to adjust your teaching style for each different kind of student you have.

Monday, January 05, 2009

Sixth Law of Kempo

Law of No Block

Kempo emphasizes economy of movement and economy of time. Kempo's no block principle teaches to avoid being struck by a punch or kick, you should move your body out of harm's way. As one of my old Saber coaches use to tell me, "It's all about controlling timing and distance."

In other words, a block is a wasted move because it does not stop your opponent from attacking again with their free limbs. It is much better to move out of the way and simultaneously counterattack.

This is a fairly complex concept to implement correctly. So I teach beginners to block.:-) Once they have a better understanding of the art, I introduce this concept.

Kempo has multiple systems of just blocks, but note that the more advanced onces involve traps, redirects and body movement (Next time you watch a Master do one of the blocking systems, pay attention to the movement of their spine.)

Wednesday, October 01, 2008

Fifth Law of Kempo

Law of Kicking

Kempo's mandate to kick low is based on logic. A roundhouse kick and spinning reverse crescent kick to the head maybe flashy and impressive, but such maneuvers take longer to execute because your legs has to travel farther. They also expose your groin to your opponent's kick.

Kicking high requires superior balance and focus, you should practice your leg techniques high, and deliver them low for self-defense. Kicking low to the legs, executing a "pillar attack" can break your opponent's balance and legs.

As I tell my students, when your opponent is on the ground is the best time to kick them in the head.

Wednesday, September 10, 2008

Fourth Law of Kempo

Law of Targets

You are not going to break your knuckles punching an attacker's temple. A kick to the groin will not fracture your instep. A knife hand strike to the throat will hurt the throat more than your hand.

Kempo teaches you to choose your targets in order to maximize damage to your opponent while minimizing damage to yourself.

Tuesday, August 12, 2008

Third Law of Kempo

Law of Multiple Strikes

Kempo teaches you to strike first and strike often in rapid succession. You train to hit high, low, straight in, and along a circular path.

First you stun, distract, and slow your opponent. Then you take him/her/whatever out.